Home > Bibliographies > AAST298J (Spring 2004)
This article focuses on the gradual "evolution" of ethnic music preserved in the United States by Asian Americans. The article illustrates how Asian Americans bring "traditional" music from their native countries to America. The intended audience is people interested in this type of music, as well as researchers and students studying music history.
Ho's article discusses the roots of Asian American music through the influence of music from Asia. It offers a history of Asian American music that begins with the revolutionary Yellow Nationalism and Resistance in 1971. The article also explores Asian American jazz in the 1980's and the Afro-Asian American multicultural music of today.
Katrak's article focuses on bhangra, a form of Punjabi folk music and dance from North India. Bhangra is an example of the cultural differences between generations of South Asians. It also represents the difference between South Asian Americans and Native Indians. The differences are evidenced by the changes in how dances are performed and practiced in the United States versus India. Additionally, bhangra is a reflection of Indian culture and the cultural conflicts that many Asian Americans face.
This article focuses on the ways in which Indian remix music has become the basis for South Asian American youth culture. Indian-American youth fused American hip hop with their own style of music and culture to create this subculture. The popularity or Bhangra remix continues to grow in urban areas, such as New York City, where the minority presence is strong.
This article focuses on the habits, tendencies, and trends in regards to the music Asian American audiences listen to. Although it is impossible to generalize about what type of music Asian Americans listen to, analyzing and comparing common trends provides valuable information for Asian musicians who want to market their work to audiences in the United States.
This article is significant because it deals with Asian American identity and culture. It cites specific examples of how music connects Asian Americans to the culture of their native country. Taiko drumming in New York City and the Asian Pacific American Heritage Festival are mentioned as venues where Asian American music culture is represented and showcased.
This article announces the "Ear of the Dragon Tour" celebrating Asian Heritage Month in May 1995. The tour was organized by Soo Young, from Touch and Go Records, and music journalist Ben Kim. The tour featured bands with Asian American members. This tour promoted Asian American music culture.
The MTV network established itself by in Korea by broadcasting Korean music television into homes. A North Asia region executive says that "Korean music and artists are beginning to have an immense impact on the region." Aside from showcasing singers' performances on a regular basis, the network promotes new songs and artists. The fact that MTV is interested in the Korean music industry shows the growing popularity of this music genre and illustrates the coming together of the Korean music industry and American business.
This website allows fans of Korean music to keep up-to-date with news surrounding their favorite artists. It has unique features such as a radio station where people can email requests and then listen to the song online. The radio is an interactive way for Asian Americans to be a part of the Korean music industry. The site also has a popular message board that allows Asian Americans to communicate with each other. This "community" shares opinions on music and many other subjects.